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Марширующие люди (engl)

Андерсон Шервуд


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The Project Gutenberg EBook of Marching Men, by Sherwood Anderson.
#2 in our series by Sherwood Anderson


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Title: Marching Men

Author: Sherwood Anderson

Release Date: December, 2004 [EBook #7045]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on February 27, 2003]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK MARCHING MEN ***




This eBook was provided by Juliet Sutherland 





MARCHING MEN

BY

SHERWOOD ANDERSON
Author of "Windy Mcpherson's Son"

MCMXVII



TO
AMERICAN WORKINGMEN




BOOK I



CHAPTER I


Uncle Charlie Wheeler stamped on the steps before Nance McGregor's
bake-shop on the Main Street of the town of Coal Creek Pennsylvania
and then went quickly inside. Something pleased him and as he stood
before the counter in the shop he laughed and whistled softly. With a
wink at the Reverend Minot Weeks who stood by the door leading to the
street, he tapped with his knuckles on the showcase.

"It has," he said, waving attention to the boy, who was making a mess
of the effort to arrange Uncle Charlie's loaf into a neat package, "a
pretty name. They call it Norman--Norman McGregor." Uncle Charlie
laughed heartily and again stamped upon the floor. Putting his finger
to his forehead to suggest deep thought, he turned to the minister. "I
am going to change all that," he said.

"Norman indeed! I shall give him a name that will stick! Norman! Too
soft, too soft and delicate for Coal Creek, eh? It shall be
rechristened. You and I will be Adam and Eve in the garden naming
things. We will call it Beaut--Our Beautiful One--Beaut McGregor."

The Reverend Minot Weeks also laughed. He thrust four ringers of each
hand into the pockets of his trousers, letting the extended thumbs lie
along the swelling waist line. From the front the thumbs looked like
two tiny boats on the horizon of a troubled sea. They bobbed and
jumped about on the rolling shaking paunch, appearing and disappearing
as laughter shook him. The Reverend Minot Weeks went out at the door
ahead of Uncle Charlie, still laughing. One fancied that he would go
along the street from store to store telling the tale of the
christening and laughing again. The tall boy could imagine the details
of the story.

It was an ill day for births in Coal Creek, even for the birth of one
of Uncle Charlie's inspirations. Snow lay piled along the sidewalks
and in the gutters of Main Street--black snow, sordid with the
gathered grime of human endeavour that went on day and night in the
bowels of the hills. Through the soiled snow walked miners, stumbling
along silently and with blackened faces. In their bare hands they
carried dinner pails.

The McGregor boy, tall and awkward, and with a towering nose, great
hippopotamus-like mouth and fiery red hair, followed Uncle Charlie,
Republican politician, postmaster and village wit to the door and
looked after him as with the loaf of bread under his arm he hurried
along the street. Behind the politician went the minister still
enjoying the scene in the bakery. He was preening himself on his
nearness to life in the mining town. "Did not Christ himself laugh,
eat and drink with publicans and sinners?" he thought, as he waddled
through the snow. The eyes of the McGregor boy, as they followed the
two departing figures, and later, as he stood in the door of the bake-
shop watching the struggling miners, glistened, with hatred. It was
the quality of intense hatred for his fellows in the black hole
between the Pennsylvania hills that marked the boy and made him stand
forth among his fellows.

In a country of so many varied climates and occupations as America it
is absurd to talk of an American type. The country is like a vast
disorganised undisciplined army, leaderless, uninspired, going in
route-step along the road to they know not what end. In the prairie
towns of the West and the river towns of the South from which have
come so many of our writing men, the citizens swagger through life.
Drunken old reprobates lie in the shade by the river's edge or wander
through the streets of a corn shipping village of a Saturday evening
with grins on their faces. Some touch of nature, a sweet undercurrent
of life, stays alive in them and is handed down to those who write of
them, and the most worthless man that walks the streets of an Ohio or
Iowa town may be the father of an epigram that colours all the life of
the men about him. In a mining town or deep in the entrails of one of
our cities life is different. There the disorder and aimlessness of
our American lives becomes a crime for which men pay heavily. Losing
step with one another, men lose also a sense of their own
individuality so that a thousand of them may be driven in a disorderly
mass in at the door of a Chicago factory morning after morning and
year after year with never an epigram from the lips of one of them.

In Coal Creek when men got drunk they staggered in silence through the
street. Did one of them, in a moment of stupid animal sportiveness,
execute a clumsy dance upon the barroom floor, his fellow--labourers
looked at him dumbly, or turning away left him to finish without
witnesses his clumsy hilarity.

Standing in the doorway and looking up and down the bleak village
street, some dim realisation of the disorganised ineffectiveness of
life as he knew it came into the mind of the McGregor boy. It seemed
to him right and natural that he should hate men. With a sneer on his
lips, he thought of Barney Butterlips, the town socialist, who was
forever talking of a day coming when men would march shoulder to
shoulder and life in Coal Creek, life everywhere, should cease being
aimless and become definite and full of meaning.

"They will never do that and who wants them to," mused the McGregor
boy. A blast of wind bearing snow beat upon him and he turned into the
shop and slammed the door behind him. Another thought stirred in his
head and brought a flush to his cheeks. He turned and stood in the
silence of the empty shop shaking with emotion. "If I could form the
men of this place into an army I would lead them to the mouth of the
old Shumway cut and push them in," he threatened, shaking his fist
toward the door. "I would stand aside and see the whole town struggle
and drown in the black water as untouched as though I watched the
drowning of a litter of dirty little kittens."

       *       *       *       *       *

The next morning when Beaut McGregor pushed his baker's cart along the
street and began climbing the hill toward the miners' cottages, he
went, not as Norman McGregor, the town baker boy, only product of the
loins of Cracked McGregor of Coal Creek, but as a personage, a being,
the object of an art. The name given him by Uncle Charlie Wheeler had
made him a marked man. He was as the hero of a popular romance,
galvanised into life and striding in the flesh before the people. Men
looked at him with new interest, inventorying anew the huge mouth and
nose and the flaming hair. The bartender, sweeping the snow from
before the door of the saloon, shouted at him. "Hey, Norman!" he
called. "Sweet Norman! Norman is too pretty a name. Beaut is the name
for you! Oh you Beaut!"

The tall boy pushed the cart silently along the street. Again he hated
Coal Creek. He hated the bakery and the bakery cart. With a burning
satisfying hate he hated Uncle Charlie Wheeler and the Reverend Minot
Weeks. "Fat old fools," he muttered as he shook the snow off his hat
and paused to breathe in the struggle up the hill. He had something
new to hate. He hated his own name. It did sound ridiculous. He had
thought before that there was something fancy and pretentious about
it. It did not fit a bakery cart boy. He wished it might have been
plain John or Jim or Fred. A quiver of irritation at his mother passed
through him. "She might have used more sense," he muttered.

And then the thought came to him that his father might have chosen the
name. That checked his flight toward universal hatred and he began
pushing the cart forward again, a more genial current of thought
running through his mind. The tall boy loved the memory of his father,
"Cracked McGregor." "They called him 'Cracked' until that became his
name," he thought. "Now they are at me." The thought renewed a feeling
of fellowship between himself and his dead father--it softened him.
When he reached the first of the bleak miners' houses a smile played
about the corners of his huge mouth.

In his day Cracked McGregor had not borne a good reputation in Coal
Creek. He was a tall silent man with something morose and dangerous
about him. He inspired fear born of hatred. In the mines he worked
silently and with fiery energy, hating his fellow miners among whom he
was thought to be "a bit off his head." They it was who named him
"Cracked" McGregor and they avoided him while subscribing to the
common opinion that he was the best miner in the district. Like his
fellow workers he occasionally got drunk. When he went into the saloon
where other men stood in groups buying drinks for each other he bought
only for himself.   

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